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Voice Leading for Bass: Using Major Thirds to Connect Chords & Create Bass lines
Ready to level up your groove? In this lesson, we took a simple chord progression (Cmaj7 β Fmaj7 β G7 β Cmaj7) and showed how to turn it into a bass line that flows πΆ
Hereβs what we covered: ***Don’t forget the homework at the bottom***
β Starting simple β Using root notes and triads to lock into the groove
β Filling the measure β How to use arpeggios to spell out chords across 4 beats
β Voice leading made easy β Smooth transitions using the major 3rd of the next chord
β The βplug & playβ formula β Make your bass lines sound intentional and connected
β Real-time examples β See the difference between static and flowing lines in action π
Whether youβre just getting started or need a refresher on chord tone movement, this lesson gives you a solid foundation to make your lines sing! πΈβ¨
π Got a thought, question, or aha moment? Share itβΌοΈ…your input helps everyone grow!
πΒ BassNation Weekly Challenge
Put this concept into action:
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Build a bass line using the 1-4-5-1 progression: Cmaj7 β Fmaj7 β G7 β Cmaj7
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First version: root + triad
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Second version: triad + major 3rd of the next chord
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Record both and notice how they both FEEL
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